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    <lastmod>2026-03-16</lastmod>
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      <image:caption>Chamberlain is everything teenager Charlie Anderson thought it would be when he moved there from the city in 1957—a quaint and cozy upstate New York town where time moves slowly. But that’s all about to change. Charlie finds his elderly and wealthy newspaper customer, Mr. Grazione, on the brink of death. Just before he passes, he shares a secret with Charlie. Grazione was part of a group of atomic scientists who discovered a special rock that allowed them to move through time. Harvesting the rock’s chemical—what they called Chronotine—they built a small device that could open a portal to the future. But in doing so, they sent off a cosmic alarm in the form of Pandora’s box. A mysterious couple called the Travelers have arrived in Chamberlain and are searching for the rock. And they will stop at nothing to get it, including killing all the scientists associated with the Chronotine project. Grazione’s dying wish is for Charlie to destroy the rock. If he succeeds, Grazione believes the Travelers will disappear from their timeline. But there’s a catch … Grazione hid the rock in 1984, and there’s only a limited amount of Chronotine for Charlie to use to keep the portal open. If the device runs out, he will be trapped in the future.</image:caption>
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      <image:caption>Some got the gift; some didn’t. And then there were those who saw it as a threat. The gift was an unexpected side effect of Dr. Zworsky’s now banned vaccine, which was created for a generation of children who developed antibiotic resistance. They were known as the Metachromes: humans who could fly. Darlene Verity never enjoyed the attention she got as a Meta. But she never thought those who labeled her as inhuman would force her into a protection camp in the California desert. That all changed when an asteroid crashed into the Southwest and set her and the Metas free. But their freedom came with a price. The asteroid’s particles created an unexpected fusion with their gift of flight: they can no longer be in the daylight and are aging faster. Now Darlene’s only hope is a rogue scientific colony called Project Z who are secretly trying to recreate Zworsky’s vaccine. If they learn his mysterious formula, they will not only save the Metas but humankind itself. Zworsky has been dead for years and all documentation of his vaccine had been wiped from the medical archives. But Darlene has the only surviving document of Zworsky’s that could solve the vaccine’s mystery. With little time, she must reach Project Z before her revenge-driven leader, Kevin Stroder, unleashes his plan to annihilate those responsible for caging the Metas. His first target: Project Z. “Connelly takes readers on a wild ride through the near future as humans struggle to survive disaster in this speculative thriller…. A fun, sometimes over-the-top blend of SF, horror, and fantasy that should satisfy fans of all three.” —Kirkus Reviews</image:caption>
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      <image:caption>It’s 1987. It’s been thirty years since Dr. Van Barren mysteriously disappeared. But fifteen-year-old Marcy Mason thinks the answer resides in Van Barren’s secret laboratory, supposedly hidden somewhere in his abandoned mansion in the mountains of the Hudson Valley. On Halloween, Marcy and her friends, Skye Krause and Amanda Brooks, set out on a quest to find Van Barren’s laboratory. During the course of their journey, the girls come to terms with their own secret pasts and the uncertainties and insecurities of their emerging teenage years. “Connelly's adventure brims with realism and nostalgia, creating a heady mix for readers who came of age in an era before social media . . . A transporting, nostalgic adventure that will entertain teen and adult readers alike” — Kirkus Reviews</image:caption>
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      <image:caption>No matter how hard you try, some things can never be forgotten... Leaving for college can be tough when you have to say goodbye to your buddies. But what’s even harder is letting go of your first love, at least according to James Bailey. Her name is Stacey, and she and James share some history—a spontaneous one-night affair. But Stacey has moved on, now dating the lead singer of a hardcore band who’s playing CBGB during James’s last weekend. Out of the blue, she invites James and his friends to come with her to the show. James senses an ulterior motive but decides to go along for the ride. And what ensues is a full day of adventure in New York City during one of the hottest days of the summer.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4849b41ea5462a7a92b03b/1589664751309-X48QRN8P3PQ9NPFVQU9P/Suburban+Tales+Cover.jpg</image:loc>
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      <image:caption>Suburban Tales is a collection of short stories on the supernatural, fantasy and horror. Book One explores three dark and haunting tales involving the quiet neighborhood of Eden Gardens. In “The Rock Star,” a drum technician’s nightly bike ride turns dark and ghostly. In “The Piano,” a divorced man wakes up one morning to find a street barrel piano on his front lawn. It can do more than play music. In “The Decorator,” a nosy woman’s obsession to win a Christmas decorating contest reveals a dark secret within her neighborhood.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4849b41ea5462a7a92b03b/7dcf236e-7136-4236-9b12-d6123ef08f7d/Suburban+Tales+Book+2.jpg</image:loc>
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      <image:caption>Suburban Tales 2 turns to the world of teenagers in KILL PARK and ROLLER GIRL. The setting this time is New York’s Hudson Valley, and some strange things are happening. Stacking and chopping wood is a yearly routine for the Ferguson brothers. It’s hard work and never exciting. But that’s about to change when they find a green object frozen inside one of the logs. Eager to learn its origins, the boys head out on an adventure into the woods of the Hudson Valley. What they discover will change their lives forever. It’s a fall day, and Maggie Anderson is helping her best friend shoot a rollerblading video. But Maggie might have gotten more than she bargained for when she agreed to put on her deceased mother’s Rollerblades. On her way home, a mysterious car begins to follow her. As she tries to escape, Maggie tumbles. And then things get weird, ghostly weird.</image:caption>
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      <image:title>BOOKS</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4849b41ea5462a7a92b03b/1581799236961-WN40UEVRMBEGDKDPP73A/cinema-of-confinement.jpg</image:loc>
      <image:title>BOOKS</image:title>
      <image:caption>Cinema of Confinement draws on a number of key psychoanalytic concepts from the works of Jacques Lacan, Slavoj Zizek, Joan Copjec, Michel Chion, and Todd McGowan to identify and describe a genre of cinema characterized by spatial confinement. Examining classic films such as Alfred Hitchcock's Rope and Stanley Kubrick's The Shining, as well as current films such as Room, Green Room, and 10 Cloverfield Lane, Connelly shows that the source of enjoyment of confined spaces lies in the viewer's relationship to excess. “Using cinema to explain the relationship between space and lack, Connelly provides an important theoretical model for more broadly interpreting the spatial limits of desire in our new media environments.” --Matthew Flisfeder, University of Winnipeg</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4849b41ea5462a7a92b03b/1581798987042-KK2QFLGPZDVICDUGUR66/Capturing+Digital+Media.jpg</image:loc>
      <image:title>BOOKS</image:title>
      <image:caption>Capturing Digital Media examines the relationship between the perfection of the digital form and the imperfection of the human subject in recent film and television. Using a number of key psychoanalytic terms and new media concepts, Capturing Digital Media shows that the necessity of imperfection is where we locate the human subject of desire within the binary logic of the digital. It argues that the perfection of digital must be wounded by forms of imperfection in order to make media texts such as film and television desirable. But even as films and television texts incorporate forms of imperfection, digital perfection remains a powerful attraction in our engagement with moving images, such as high definition screens, spectacular digital effects, and state-of-the-art sound. "Represents a major leap ahead in our understanding of how the digital age changes our very mode of perception." - Todd McGowan, University of Vermont, USA</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4849b41ea5462a7a92b03b/e25f8497-1f23-4176-be9c-e3417bcb9d07/Dark+Summer.jpg</image:loc>
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      <image:caption>It lives in the rocks. They call it the Blaze, an eerie stretch of scorched earth on the outskirts of Fordington, a quiet town tucked away in upstate New York Once slated to become a thriving neighborhood in the early 1970s, the development was abruptly abandoned after a fire—violent and unexplained—reduced much of the land to ash. Now, twenty years later, fifteen-year-old Laura Gibbons has just moved from Los Angeles to Fordington, only to stumble across a cryptic clue about what really happened at the Blaze. With the help of her new friends, Melvin and Siobhan, Laura sets out to explore the deserted site. But what they uncover near a jagged ridge and a fallen pine tree is no mere relic of the past, it’s something alive. Something waiting. "An intricately built, enticing world that sets the stage for some curious developments." —Kirkus Reviews "An engrossing narrative featuring layered characters and a plot that keeps surprising you at every turn." —Readers' Favorite</image:caption>
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      <image:title>BOOKS</image:title>
      <image:caption>Chamberlain is everything teenager Charlie Anderson thought it would be when he moved there from the city in 1957—a quaint and cozy upstate New York town where time moves slowly. But that’s all about to change. Charlie finds his elderly and wealthy newspaper customer, Mr. Grazione, on the brink of death. Just before he passes, he shares a secret with Charlie. Grazione was part of a group of atomic scientists who discovered a special rock that allowed them to move through time. Harvesting the rock’s chemical—what they called Chronotine—they built a small device that could open a portal to the future. But in doing so, they sent off a cosmic alarm in the form of Pandora’s box. A mysterious couple called the Travelers have arrived in Chamberlain and are searching for the rock. And they will stop at nothing to get it, including killing all the scientists associated with the Chronotine project. Grazione’s dying wish is for Charlie to destroy the rock. If he succeeds, Grazione believes the Travelers will disappear from their timeline. But there’s a catch … Grazione hid the rock in 1984, and there’s only a limited amount of Chronotine for Charlie to use to keep the portal open. If the device runs out, he will be trapped in the future. "An engaging SF/paranormal romp around the clock in two time periods." —Kirkus Reviews “Charlie One is an exciting science fiction story . . . A bold storytelling style and well-worked pop culture elements combine to create a uniquely entertaining read.” —Readers’ Favorite</image:caption>
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      <image:title>BOOKS</image:title>
      <image:caption>Some got the gift; some didn’t. And then there were those who saw it as a threat. The gift was an unexpected side effect of Dr. Zworsky’s now banned vaccine, which was created for a generation of children who developed antibiotic resistance. They were known as the Metachromes: humans who could fly. Darlene Verity never enjoyed the attention she got as a Meta. But she never thought those who labeled her as inhuman would force her into a protection camp in the California desert. That all changed when an asteroid crashed into the Southwest and set her and the Metas free. But their freedom came with a price. The asteroid’s particles created an unexpected fusion with their gift of flight: they can no longer be in the daylight and are aging faster. Now Darlene’s only hope is a rogue scientific colony called Project Z who are secretly trying to recreate Zworsky’s vaccine. If they learn his mysterious formula, they will not only save the Metas but humankind itself. Zworsky has been dead for years and all documentation of his vaccine had been wiped from the medical archives. But Darlene has the only surviving document of Zworsky’s that could solve the vaccine’s mystery. With little time, she must reach Project Z before her revenge-driven leader, Kevin Stroder, unleashes his plan to annihilate those responsible for caging the Metas. His first target: Project Z. “Connelly takes readers on a wild ride through the near future as humans struggle to survive disaster in this speculative thriller…. A fun, sometimes over-the-top blend of SF, horror, and fantasy that should satisfy fans of all three.” —Kirkus Reviews “A lot of action, danger and good character development. The author does a great job with the suspense and keeps tensions high…. A very engrossing and original story.” –Uncaged Reviews "Tom Connelly serves up a classic science fiction thriller ... With a superb pace, going from passive to breakneck and back again, and an impressive degree of coordination, the reader is kept glued to the narrative." –Readers' Favorite</image:caption>
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      <image:caption>Living in the shadows was their only means of survival. Now they’re about to rise and show who they truly are. The Telescope initiative has an important task: to make sure the plane from Houston with its precious cargo lands in a safe location. Failure to complete this mission could doom the prime initiative to save the Metachromes. But when the team arrives at Burbank Airport, the runway is littered with abandoned cars, and all the computers in air traffic control have been destroyed. And that’s just the start of the diabolical plan from Big Jim, the Metas’ new leader, to crush Project Z. Now, with a short amount of time, the team must cobble together a plan to clear the runway and figure out a way to help land the plane before Big Jim strikes again. Meanwhile, watching in the shadows are a handful of Creepers. Feared by the Metas and Project Z, the Creepers were once Metas. But something strange happened to them: they lost their voices; they can’t fly anymore; they can’t be in the daylight; they wear bandages to protect their skin. And they like motorcycles. Project Z doesn’t know what spawned them—only that they are extremely dangerous. Or so they think. The thrilling second installment of the Zworsky’s Children series tells the story of the Creepers: why some became flesh-eaters, why some didn’t, why they were forced to live in the shadows, and why some have decided to take matters into their own hands.</image:caption>
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      <image:caption>The end begins now as truth, trust, and power collide. The final chapter of the Zworsky’s Children series explodes into action as Project Z’s Telescope initiative races to complete its last mission: save the Metachromes with their newly discovered cure before time runs out. But with a vital piece equipment damaged, Darlene, Karen, and Isabel must brave an uncharted area in the No-Go Zone to recover what’s needed to finish creating the vaccine. Deep in the canyon, Millie and Jay carry a secret that could change everything for the Creepers. Seeking Zelda’s help, they must reach Dr. Walker. But they must do this within limited time. The military are preparing to march into Los Angeles in anticipation of the reopening of the state. Their orders are to wipe out the Metas and Creepers. Amid the chaos, Big Jim, the Metas’ former leader, watches from the shadows, ready to deal the final blow and ruin the Metas’ hopes of survival. The last installment of the Zworsky’s Children series concludes the thrilling story of the Metachromes as they face their fiercest enemy: themselves.</image:caption>
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      <image:caption>Three teenage girls dare to explore an abandoned mansion, only to confront the ultimate challenge: their own adolescence.  It’s been thirty years since Dr. Van Barren mysteriously vanished, but fifteen-year-old Marcy Mason believes the answers lie hidden within his secret laboratory, lost somewhere in the depths of his long-abandoned estate in the Hudson Valley. Drawn by an insatiable curiosity and the weight of her mother’s cancer diagnosis, Marcy finds herself unable to escape the truths she must face. On Halloween night, Marcy and her best friends, Skye Krause and Amanda Brooks, embark on an adventure that will test their courage and their bonds. As they search for the elusive laboratory, they confront not only the mysteries of the mansion but also the uncertainties of their own lives—friendship, fear, and the harsh realities of growing up. Will they uncover the secrets of the past, or will the darkness within the mansion reveal even deeper truths about themselves? “Connelly's adventure brims with realism and nostalgia, creating a heady mix for readers who came of age in an era before social media . . . A transporting, nostalgic adventure that will entertain teen and adult readers alike” — Kirkus Reviews</image:caption>
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      <image:caption>Some things, no matter how hard you try, can never be forgotten. In the heart of summer, as James Bailey prepares to leave his small-town life behind for college, he’s haunted by memories of his first love, Stacey. Their brief one-night affair lingers in his mind, but Stacey has moved on, now dating the charismatic lead singer of a hardcore band. When she unexpectedly invites James and his friends to their show at the iconic CBGB, he can’t resist the chance to go—despite his gut feeling that she has ulterior motives. What starts as a day filled with laughter, nostalgia, and unexpected adventures in the bustling streets of New York City quickly spirals into a whirlwind of emotions for James. As the temperature rises, so do the stakes, forcing James to confront the reality of his feelings and the unshakeable bond they once shared. Will he find closure, or will this final encounter ignite a spark he thought had long been extinguished? Join James on a journey of love, friendship, and the bittersweet nature of memories—because some things, no matter how hard you try, can never be forgotten.</image:caption>
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      <image:caption>In the quiet, seemingly idyllic neighborhood of Eden Gardens, the ordinary collides with the extraordinary in this thrilling collection of supernatural, fantasy, and horror stories. Suburban Tales: Book One unveils three dark and mysterious tales that haunt the hearts of its residents. In “The Rock Star,” a drum technician’s late-night bike ride takes a terrifying turn as he encounters a ghostly presence that refuses to let him go. “The Piano” tells the story of a recently divorced man who wakes up to find an old street barrel piano on his lawn, but its haunting melodies soon reveal a sinister power beyond music. Finally, in “The Decorator,” a competitive woman’s obsessive quest to win a Christmas decorating contest leads her down a path that uncovers unsettling secrets hidden beneath the veneer of suburban life. Each tale in Suburban Tales explores the eerie and the unknown lurking just beneath the surface of everyday life, where the quiet suburbs hold darker forces waiting to be unleashed.</image:caption>
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      <image:caption>Strange things are afoot in New York’s Hudson Valley, and three teenagers are about to find themselves at the heart of it all in stories Kill Park and Roller Girl. For the Ferguson brothers, stacking wood is a dull autumn tradition—until they discover something unusual frozen inside one of the logs: a mysterious green object. Intrigued, they set off into the dense woods, eager to uncover the truth behind the artifact. What they find will lead them down a path they never imagined, one that will change their lives forever. Maggie Anderson is simply helping her best friend shoot a rollerblading video for school, but when she slips into her late mother’s Rollerblades, she unknowingly sets off a chain of eerie events. As a strange car begins to follow her home, Maggie's world takes a ghostly turn. In Suburban Tales 2, secrets from the past collide with the supernatural present, forcing these teens to confront the mysteries lurking just beneath the surface of their seemingly quiet world.</image:caption>
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      <image:title>BOOKS</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Cinema of Confinement draws on a number of key psychoanalytic concepts from the works of Jacques Lacan, Slavoj Zizek, Joan Copjec, Michel Chion, and Todd McGowan to identify and describe a genre of cinema characterized by spatial confinement. Examining classic films such as Alfred Hitchcock's Rope and Stanley Kubrick's The Shining, as well as current films such as Room, Green Room, and 10 Cloverfield Lane, Connelly shows that the source of enjoyment of confined spaces lies in the viewer's relationship to excess. “Using cinema to explain the relationship between space and lack, Connelly provides an important theoretical model for more broadly interpreting the spatial limits of desire in our new media environments.” --Matthew Flisfeder, University of Winnipeg</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e4849b41ea5462a7a92b03b/1581798987042-KK2QFLGPZDVICDUGUR66/Capturing+Digital+Media.jpg</image:loc>
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      <image:caption>Capturing Digital Media examines the relationship between the perfection of the digital form and the imperfection of the human subject in recent film and television. Using a number of key psychoanalytic terms and new media concepts, Capturing Digital Media shows that the necessity of imperfection is where we locate the human subject of desire within the binary logic of the digital. It argues that the perfection of digital must be wounded by forms of imperfection in order to make media texts such as film and television desirable. But even as films and television texts incorporate forms of imperfection, digital perfection remains a powerful attraction in our engagement with moving images, such as high definition screens, spectacular digital effects, and state-of-the-art sound. "Represents a major leap ahead in our understanding of how the digital age changes our very mode of perception." - Todd McGowan, University of Vermont, USA</image:caption>
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  <url>
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    <lastmod>2025-08-23</lastmod>
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      <image:title>ABOUT ME</image:title>
      <image:caption>Tom Connelly grew up in New York’s tri-state area and played drums and guitar in several underground bands in the 1990s. His first two novels, THE POSTCARD and THE BELLS, focus on his hometown in the Hudson Valley. He has made films, including NO DEPOSIT NO RETURN, which has screened at a number of film festivals. He is also a scholar of television, film, and digital media, and the author or CINEMA OF CONFINEMENT (Northwestern University Press, 2019) and CAPTURING DIGITAL MEDIA: PERFECTION AND IMPERFECTION IN CONTEMPORARY FILM AND TELEVISION (Bloomsbury Academic, 2019). Both books draw upon psychoanalytic concepts to investigate current developments in cinema and television. He holds a Ph.D. in Cultural Studies from Claremont Graduate University, an M.A. in English from the University of Vermont, and a B.F.A. in Film from Long Island University.</image:caption>
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      <image:title>ABOUT ME</image:title>
      <image:caption>Tom Connelly grew up in New York’s tri-state area and played drums and guitar in several underground bands in the 1990s. His first two novels, THE POSTCARD and THE BELLS, focus on his hometown in the Hudson Valley. He has made films, including NO DEPOSIT NO RETURN, which has screened at a number of film festivals. He is also a scholar of television, film, and digital media, and the author or CINEMA OF CONFINEMENT (Northwestern University Press, 2019) and CAPTURING DIGITAL MEDIA: PERFECTION AND IMPERFECTION IN CONTEMPORARY FILM AND TELEVISION (Bloomsbury Academic, 2019). Both books draw upon psychoanalytic concepts to investigate current developments in cinema and television. He holds a Ph.D. in Cultural Studies from Claremont Graduate University, an M.A. in English from the University of Vermont, and a B.F.A. in Film from Long Island University.</image:caption>
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    <lastmod>2025-11-07</lastmod>
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